内容简介：511电影网 在一个风景如画的英国乡村，自然学家查尔斯·达尔文（保罗·贝坦尼 Paul Bettany 饰）与妻女一起过着恬静的生活。他十岁的大女儿安妮对世界充满好奇，达尔文便教予她很多自然和科学知识，其中还包括他的进化论，然而在世人都相信上帝乃造物主的当时，女儿口中的进化论无疑是危险的，以至于令她被家庭教师体罚，就连达尔文深爱的妻子艾玛（詹妮弗·康纳利 Jennifer Connelly 饰）也无法认同他的观念和研究。更令达尔文受创的是，不久后，小安妮因生病早夭，唯一一个支持他完成学说的力量之源也黯淡了，整理《物种起源》手稿的工作变得犹如逆行荆棘，举步维艰…… 本片改编自达尔文第三代玄孙兰德尔·凯恩斯（Randal Keynes）的传记小说《安妮的盒子》。 亚洲套网 511电影网 亚洲套网511电影网
波斯顿最高海军“Ivy League”出身的旗鱼“派”并没有其他鱼儿相象中的威猛，反而只是一条外表平庸的小鱼，因为在一次不幸的意外事故中失去了双亲，伤心的他决定离开故地，只身前往加勒比海岸，然而他却不知道，危险就在那边等着他…… 派与其他的鱼不同，他有着极为敏感的内心世界，不过却十分单纯，不懂海洋里的人情世故，未知的加勒比显得那样的陌生。不过初来咋到的他却认识了超级模特“Cordelia”，两鱼一见钟情，不过问题来了，一直对Cordelia虎视耽耽的shark是加勒比一带有名的混混，霸道异常，他怎么能放过这个不知道从哪里冒出来的情敌呢，派当然希望能够以温和的方式解决问题，不过，他也做好了最坏的打算，即使动武，自己也不能后推，毕竟自己是条好鱼，不过……对方叫什么来着？“Shark”？等等，对方不会是鲨鱼吧。 派的猜测完全无误，对方就是一条鲨鱼，很大型，而且他丝毫没有把派放在眼里，或者说加勒比的确的所有鱼他都没有放在过眼里，他不但变本加厉的对Cordelia进行骚扰，还开始了进一步的挑衅，一心想改变加勒比海岸的秩序，自己才是这个地区的头头，所有鱼都要听他的。富有正义感的派终于按奈不住了，勇敢地向鲨鱼下了战书，并在伙伴们的指引下找到退隐江湖的高手“Nerina”，请求他传授传说中的武术秘诀。
活在自我世界中的乔西，遨游在自己感兴趣的绘画和书籍的海洋中。自幼便一直坐在轮椅上的她，某天在一个危险的斜坡上差点摔倒的时候，得到了大学生恒夫的帮助。专攻海洋生物学的恒夫，为了实现自己能够亲眼看一下只生活在墨西哥的梦幻鱼群的梦想，日夜不停地在进行着兼职打工。 和乔西相依为命的祖母千津看到这样的恒夫，向他介绍了一份兼职工作。这份工作的内容就是听从乔西的要求，并想办法满足她。然而，固执且不善与他人交流的乔西对恒夫非常刻薄，而恒夫也没有在意乔西是个残疾人，直率地回应她。 就这样逐渐地，双方的距离缩短，开始了解对方。在两人接触的过程中，乔西也下定决心，要与恒夫一起去看看自己梦寐以求的外面世界…… 影片改编自田边圣子小说《Jose与虎与鱼们》。
When soldier Shaun Emery’s (Turner) conviction for a murder in Afghanistan is overturned because of flawed video evidence, he returns to life as a free man with his young daughter. But when damning CCTV footage from a night out in London comes to light, Shaun’s life takes a shocking turn and he must soon fight for his freedom once again. With newly promoted DI Rachel Carey (Grainger) drafted in to investigate Shaun’s case, she quickly learns that the truth can sometimes be a matter of perspective. Should she trust Shaun Emery? The Capture is a six-part thriller that looks at a troubling world of fake news and the extraordinary capabilities of the intelligence services. In this ‘post-truth era’, can we really believe what we see? The Capture is written and directed by Bafta Award-winning filmmaker Ben Chanan and is made for BBC One by Heyday Television and NBCUniversal International Studios.
Mistakenly believing that his role is to serve justice (“No Will, a Barrister’s job is to win”), Will must navigate his way through a criminal justice system seemingly designed to be as opaque and confusing as possible. While also dealing with his fellow pupils, each of them after the same single job at the end of their training and more than happy to stab each other in the back to get it. Can he succeed and hold on to his principles? Or will the system claim another victim?
It is Byeong-Heon’s dream to become a film director. He starts to write scenarios to debut after quitting his production team due to his trouble with the assistant director. A television production team starts to film his daily life and preparation for a documentary film, but he turns out to be the epitome of laziness. He drinks every single day; it takes longer than 8 hours for him to wake up and get his computer to boot; for over an hour, all he does is to come up with the title and the right font design; and he returns to pubs. Beom-Su, who is ahead of his debut as a production director, Seung-Bo, who is also yet to debut as a cinematographer, and Young-Hyeon, an actor who had never had a major role yet, all wrangle over cheap alcohol every other night. Not only that, Byeong-Heon visits his ex-wife and the 2-year-old daughter and makes a mess every time he gets drunk. So the production team loses their interest and ends up calling for an emergency meeting.